Bachelor of Music (Music Education)
The BMus (Music Education) degree is intended primarily as a professional training course for students wishing to become music teachers in a school environment. The music education degree course meets requirements of professional bodies responsible for the accreditation of school music teachers.
In New South Wales the major employer of school music teachers is the NSW Department of Education and Training (DET), which stipulates specific musical and pedagogical skills and knowledge in order for a teacher to be certified as employable in Departmental schools.
In addition to music teaching methods, music history and analysis, performance and compositional skills and knowledge, students must have attained information and communication technology competencies and have developed an understanding of children with special educational needs.
A significant component (80-100 days) of the course must include practical teaching experience in schools. Graduating teachers also need to meet the Teaching Standards of the New South Wales Institute of Teachers, a professional body responsible for accreditation of all NSW teachers working in schools. Graduating teachers need to demonstrate knowledge of subject content, pedagogy (including learning, teaching and evaluation strategies), NSW curriculum requirements and the needs of socially, culturally, ethnically, physically and intellectually diverse groups of students in schools.
In order to satisfy these requirements, the Music Education degree has a large core of mandated music education and general education units of study. The major focus is on developing teaching skills through studies in education, music education, choral and instrumental pedagogy and music technology.
In the fourth year students undertake extended Professional Experience sessions in schools supported by both high school teachers and experienced music education lecturers from the Sydney Conservatorium of Music. Shorter periods of Professional Experience are integrated into units of study in the second and third years of the course. Music Education specialists also develop practical, compositional, or research skills by taking a minimum of 4 semesters of Principal Study in an instrument, voice, composition or musicology. Students also take part in large ensembles (e.g., Choir, Wind Symphony, Early Music Ensemble, Gamelan) and other performance units. All students take core studies in aural perception and harmony (or jazz music skills for jazz students), music history, music technology and cultural studies.
Principal study is available in the following areas:
- Brass: french horn, trombone, trumpet, tuba
- Composition
- Early Music: baroque flute, harpsichord, lute, organ, recorder, viola da gamba, baroque trumpet
- Jazz: bass, drums, electric guitar, piano, saxophone, trombone, trumpet
- Musicology
- Percussion
- Piano
- Strings: cello, double bass, guitar, harp, viola, violin
- Vocal Studies: classical
- Woodwind: bassoon, clarinet, flute, oboe, saxophone.
Core requirements for graduation with a Bachelor of Music (Music Education)
Students should complete at least the minimum number of credit points in each area throughout their courses, and reach the minimum levels of achievement as outlined in the Faculty Resolutions.
Typical enrolment patterns
The following tables show typical enrolment patterns giving the appropriate credit points. These patterns are for guidance and are not mandatory as the course structure is designed to allow considerable choice in the units of study taken and flexibility over when units are taken.
Bachelor of Music (Music Education) with Performance Principal Study
Semester 1 |
Semester 2 |
Semester 3 |
Semester 4 |
||||
---|---|---|---|---|---|---|---|
Principal Study 1 |
6 |
Principal Study 2 |
6 |
Principal Study 3 |
6 |
Principal Study 4 |
6 |
Aural Perception 1 |
3 |
Aural Perception 2 |
3 |
Aural Perception 3 |
3 |
Aural Perception 4 |
3 |
Harmony and Analysis 1 |
3 |
Harmony and Analysis 2 |
3 |
Harmony and Analysis 3 |
3 |
Harmony and Analysis 4 |
3 |
Musical Worlds of Today |
6 |
Music in Modern Times |
6 |
Significant Methods |
3 |
Education 2: Educational Psychology |
3 |
Aboriginal & Torres Strait Islander Musics |
3 |
Jazz Pedagogy or Free Choice |
3 |
Education 1: Introduction to Teaching |
3 |
Children, Music and Educational Settings |
6 |
Ensemble |
3 |
Ensemble |
3 |
Studies in analysis, history and culture |
6 |
Technology in Music Education |
3 |
24 |
24 |
24 |
24 |
Bachelor of Music (Music Education) with Performance Principal Study
Semester 5 |
Semester 6 |
Semester 7 |
Semester 8 |
||||
---|---|---|---|---|---|---|---|
Principal Study 5 or Free Choice |
6 |
Principal Study 6 or Free Choice |
6 |
Cultural Diversity in Music Education |
6 |
Professional and Social Issues in Music Ed |
6 |
Education 3: Developmental Psychology |
3 |
Teaching Music in Junior Secondary School |
12 |
Senior Secondary Music Education |
6 |
Professional Experience |
18 |
Composition in Music Education |
3 |
Ensemble Pedagogy |
6 |
Transcription and Analysis in Music Ed or Free Choice |
3 |
||
Popular Music Studies |
3 |
Non-Western Music |
3 |
||||
Survey of Jazz History or Free Choice |
3 |
Free Choice |
6 |
||||
Studies in analysis, history and culture |
6 |
||||||
24 |
24 |
24 |
24 |
Bachelor of Music (Music Education) with Composition Principal Study
Semester 1 |
Semester 2 |
Semester 3 |
Semester 4 |
||||
---|---|---|---|---|---|---|---|
Composition 1 |
6 |
Composition 2 |
6 |
Composition 3 |
6 |
Composition 4 |
6 |
Aural Perception 1 |
3 |
Aural Perception 2 |
3 |
Aural Perception 3 |
3 |
Aural Perception 4 |
3 |
Harmony and Analysis 1 |
3 |
Harmony and Analysis 2 |
3 |
Harmony and Analysis 3 |
3 |
Harmony and Analysis 4 |
3 |
Compositional Techniques and Analysis 1 |
6 |
Compositional Techniques and Analysis 2 |
6 |
Compositional Techniques and Analysis 3 |
3 |
Compositional Techniques and Analysis 4 |
3 |
Musical Worlds of Today |
6 |
Technology in Music Ed |
3 |
Education 1: Introduction to Teaching |
3 |
Education 2: Educational Psychology |
3 |
Studies in analysis, history and culture |
3 |
Significant Methods |
3 |
Children, Music and Educational Settings |
6 |
||
Aboriginal & Torres Strait Islander Music |
3 |
||||||
24 |
24 |
24 |
24 |
Semester 5 |
Semester 6 |
Semester 7 |
Semester 8 |
||||
---|---|---|---|---|---|---|---|
Composition 5 |
6 |
Ensemble Pedagogy |
6 |
Composition 6 |
6 |
Professional and Social Issues in Music Ed |
6 |
Education 3: Developmental Psychology |
3 |
Teaching Music in Junior Secondary School |
12 |
Senior Secondary Music Education |
6 |
Professional Experience |
18 |
Composer Performer Workshop and Free Choice or Computer Music Fundamentals |
6 |
Ensemble |
3 |
Cultural Diversity in Music Education |
6 |
||
Music in the Classical and Romantic Eras |
6 |
Free Choice | 3 |
Non-Western Music |
3 |
||
Popular Music Studies |
3 |
Composer Performer Workshop or Free Choice |
3 |
||||
24 |
24 |
24 |
24 |
Bachelor of Music (Music Education) with Jazz Performance Principal Study
Semester 1 |
Semester 2 |
Semester 3 |
Semester 4 |
||||
---|---|---|---|---|---|---|---|
Jazz Performance 1 |
6 |
Jazz Performance 2 |
6 |
Jazz Performance 3 |
6 |
Jazz Performance 4 |
6 |
Jazz Music Skills 1 |
6 |
Jazz Music Skills 2 |
6 |
Jazz Music Skills 3 |
6 |
Jazz Music Skills 4 |
6 |
Musical Worlds of Today |
6 |
Music in Modern Times |
6 |
Studies in analysis, history and culture |
6 |
Education 2: Educational Psychology |
3 |
Ensemble |
3 |
Ensemble |
3 |
Education 1: Introduction to Teaching |
3 |
Children, Music and Educational Settings |
6 |
Free Choice |
3 |
Jazz Pedagogy or Free Choice |
3 |
Significant Methods |
3 |
Technology in Music Ed |
3 |
24 |
24 |
24 |
24 |
Semester 5 |
Semester 6 |
Semester 7 |
Semester 8 |
||||
---|---|---|---|---|---|---|---|
Jazz Performance 5 |
6 |
Jazz Performance 6 |
6 |
Cultural Diversity in Music Education |
6 |
Professional and Social Issues in Music Ed |
6 |
Education 3: Developmental Psychology |
3 |
Teaching Music in Junior Secondary School |
12 |
Senior Secondary Music Education |
6 |
Professional Experience |
18 |
Composition in Music Education |
3 |
Ensemble Pedagogy |
6 |
Non-Western Music |
3 |
||
Popular Music Studies |
3 |
Transcription and Analysis or Free Choice |
3 |
||||
Studies in analysis, history and culture |
6 |
Free Choice |
6 |
||||
Survey of Jazz History |
3 | ||||||
24 |
24 |
24 |
24 |
Bachelor of Music (Music Education) with Musicology Principal Study
Semester 1 |
Semester 2 |
Semester 3 |
Semester 4 |
||||
---|---|---|---|---|---|---|---|
Musicology 1 |
6 |
Musicology 2 |
6 |
Musicology 3 |
6 |
Musicology 4 |
6 |
Aural Perception 1 |
3 |
Aural Perception 2 |
3 |
Aural Perception 3 |
3 |
Aural Perception 4 |
3 |
Harmony and Analysis 1 |
3 |
Harmony and Analysis 2 |
3 |
Harmony and Analysis 3 |
3 |
Harmony and Analysis 4 |
3 |
Musical Worlds of Today |
6 |
Music in Modern Times |
6 |
Significant Methods |
3 |
Education 2: Educational Psychology |
3 |
Aboriginal & Torres Strait Islander Music |
3 |
Ensemble |
3 |
Education 1: Introduction to Teaching |
3 |
Children, Music and Educational Settings |
6 |
Ensemble |
3 |
Jazz Pedagogy or Free Choice |
3 |
Music in the Classical and Romantic Eras |
6 |
Technology in Music Ed |
3 |
24 |
24 |
24 |
24 |
Semester 5 | Semester 6 | Semester 7 | Semester 8 | ||||
---|---|---|---|---|---|---|---|
Musicology 5 or Free Choice |
6 |
Musicology 6 or Free Choice |
6 |
Cultural Diversity in Music Education |
6 |
Professional and Social Issues in Music Ed |
6 |
Education 3: Developmental Psychology |
3 |
Teaching Music in Junior Secondary School |
12 |
Transcription and Analysis in Music Education or Musicology Workshop |
3 |
Professional Experience |
18 |
Composition in Music Education |
3 |
Ensemble Pedagogy |
6 |
Senior Secondary Music Education |
6 |
||
Popular Music Studies |
3 |
Non-Western Music |
3 |
||||
Studies in analysis, history and culture |
6 |
Free Choice |
6 |
||||
Musicology Workshop or Free Choice |
3 |
||||||
24 |
24 |
24 |
24 |
Bachelor of Music (Music Education) Honours
Semester 1 |
Semester 2 |
Semester 3 |
Semester 4 |
||||
---|---|---|---|---|---|---|---|
Principal Study 1 |
6 |
Principal Study 2 |
6 |
Principal Study 3 |
6 |
Principal Study 4 |
6 |
Aural Perception 1 |
3 |
Aural Perception 2 |
3 |
Aural Perception 3 |
3 |
Aural Perception 4 |
3 |
Harmony and Analysis 1 |
3 |
Harmony and Analysis 2 |
3 |
Harmony and Analysis 3 |
3 |
Harmony and Analysis 4 |
3 |
Musical Worlds of Today |
6 |
Music in Modern Times |
6 |
Significant Methods |
3 |
Technology in Music Ed |
3 |
Aboriginal & Torres Strait Islander Music |
3 |
Ensemble |
3 |
Education 1: Introduction to Teaching |
3 |
Education 2: Educational Psychology |
3 |
Ensemble |
3 |
Jazz Pedagogy or Free Choice |
3 |
Studies in analysis, history and culture |
6 |
Children, Music and Educational Settings |
6 |
24 |
24 |
24 |
24 |
Semester 5 |
Semester 6 |
Semester 7 |
Semester 8 |
||||
---|---|---|---|---|---|---|---|
Principal Study 5 or Survey of Jazz History + Free Choice |
6 |
Honours Research in Music Education 2 |
6 |
Cultural Diversity in Music Education |
6 |
Professional and Social Issues in Music Ed |
6 |
Honours Research in Music Education 1 |
6 |
Teaching Music in Junior Secondary School |
12 |
Senior Secondary Music Education |
6 |
Professional Experience |
18 |
Composition in Music Education |
3 |
Ensemble Pedagogy |
6 |
Honours Project in Music Education |
12 |
||
Popular Music Studies |
3 |
||||||
Education 3: Developmental Psychology |
3 |
||||||
Non Western Music |
3 |
||||||
24 |
24 |
24 |
24 |
Practice Teaching Calendar 2011
Semester 2
Sydney Uni. Weeks |
Year 2 |
Year 3 |
Year 4 |
School Terms |
---|---|---|---|---|
Week 1 |
Start 9 week Block Practice Teaching(MUED 4611 Professional Experience) |
|||
Week 2 |
Start one day/week Practice Teaching (MUED 2605) |
Week 2 Block Practice Teaching |
||
Week 3 |
One day/week Practice Teaching |
Week 3 Block Practice Teaching | ||
Week 4 |
One day/week Practice Teaching |
Start 6 week Block Practice Teaching (MUED 3602) |
Week 4 Block Practice Teaching | |
Week 5 |
One day/week Practice Teaching |
Week 2 Block Practice Teaching |
Week 5 Block Practice Teaching | |
Week 6 |
One day/week Practice Teaching |
Week 3 Block Practice Teaching |
Week 6 Block Practice Teaching | |
Week 7 |
One day/week Practice Teaching |
Week 4 Block Practice Teaching |
Week 7 Block Practice Teaching | |
Week 8 |
Week 1 Block Practice Teaching |
Week 5 Block Practice Teaching |
Week 8 Block Practice Teaching |
|
Week 9 |
Week 2 Block Practice Teaching |
Week 6 Block Practice Teaching |
Week 9 Block Practice Teaching | 23 Sep: Term 3 concludes |
26 Sept |
AVCC Common Week – Non-teaching week |
AVCC Common Week – Non-teaching week |
AVCC Common Week – Non-teaching week |
School Holidays |
Week 10 |
Lectures resume |
Lectures resume |
Lectures resume |
School Holidays |
Week 11 |
Lectures |
Lectures |
Lectures |
10 Oct: Term 4 commences |
Week 12 |
Lectures end |
Lectures end |
Lectures end |
Course rules
Bachelor of Music (Music Education)
These resolutions must be read in conjunction with applicable University By-laws, Rules and policies including (but not limited to) the University of Sydney (Coursework) Rule 2000 (the 'Coursework Rule'), the Resolutions of the Faculty, the University of Sydney (Student Appeals against Academic Decisions) Rule 2006 (as amended) and the Academic Board policies on Academic Dishonesty and Plagiarism.
Course resolutions
1 Course codes
Code |
Course and stream title |
---|---|
QH011 |
Bachelor of Music (Music Education) |
2 Attendance pattern
3 Admission to candidature
4 Requirements for award
Area of Study |
Credit Points |
Minimum level of achievement |
---|---|---|
Principal Study |
24 |
Principal Study 4 |
Music Education |
84 |
Professional & Social Issues in Music Education; Professional Experience; Technology in Music Education |
Performance |
6 |
6 credit points in ensemble units |
Music Skills |
24 |
Harmony and Analysis 4 and Aural Perception 4 |
Studies in analysis, history and culture |
24 |
At least 12 credit points from Foundation units including Musical Worlds of Today |
Electives |
30 |
Area of Study |
Credit Points |
Minimum level of achievement |
---|---|---|
Principal Study |
36 |
Principal Study 6 |
Music Education |
84 |
Professional & Social Issues in Music Education; Professional Experience; Technology in Music Education |
Performance |
6 |
6 credit points in ensemble units |
Music Skills |
24 |
Jazz Music Skills 4 |
Studies in analysis, history and culture |
24 |
At least 12 credit points from Foundation units including Musical Worlds of Today and Survey of Jazz History |
Electives |
18 |
Area of Study |
Credit Points |
Minimum level of achievement |
---|---|---|
Principal Study |
36 |
Principal Study 6 |
Music Education |
81 |
Professional & Social Issues in Music Education; Professional Experience; Technology in Music Education |
Composition |
24 |
Compositional Techniques & Analysis 4; and 6 cps of Composer Performer Workshop or Electroacoustic Music |
Performance |
3 |
3 credit points in ensemble units |
Music Skills |
24 |
Harmony and Analysis 4 and Aural Perception 4 |
Studies in analysis, history and culture |
18 |
At least 12 credit points from Foundation units including Musical Worlds of Today |
Electives including performance |
6 |
Area of Study |
Credit Points |
Minimum level of achievement |
---|---|---|
Principal Study |
24 |
Principal Study 4 |
Music Education |
84 |
Professional & Social Issues in Music Education; Professional Experience; Technology in Music Education |
Performance |
6 |
6 credit points in ensemble units |
Music Skills |
24 |
Harmony and Analysis 4 and Aural Perception 4 |
Studies in analysis, history and culture |
27 |
At least 18 credit points from Foundation units including Musical Worlds of Today |
Electives including performance |
27 |