Students will receive training/instruction in all aspects of collaborative recital preparation including strategies for improvement of accuracy of rhythmic and intonation control, as well as the ability to perform with commitment and to work effectively with other musicians in the areas of style, interpretation and performance techniques.

This course offers tuition in working as a collaborative artist with either an instrumentalist , preparing a major duo work; or with a singer, where a selection of art songs must be prepared.

This unit offers tuition in working as a collaborative artist with either an instrumentalist, preparing a major duo work or with a singer, where a selection of art songs must be prepared.

The aim of Graduate Ensemble is to provide students with opportunities to participate in the types of ensembles in which they will seek employment. This includes: knowledge of repertoire; development of ensemble skills; professional practice as a session musician; knowledge of ensemble management and relevant professional expectations.

The aim of Graduate Ensemble is to provide students with opportunities to participate in the types of ensembles in which they will seek employment. This includes: knowledge of repertoire; development of ensemble skills; professional practice as a session musician; knowledge of ensemble management and relevant professional expectations.

The aim of Graduate Ensemble is to provide students with opportunities to participate in the types of ensembles in which they will seek employment. This includes: knowledge of repertoire; development of ensemble skills; professional practice as a session musician; knowledge of ensemble management and relevant professional expectations.

Ensemble units provide students with opportunities to participate in the types of conducted ensembles in which they may seek future employment.

Ensemble units provide students with opportunities to participate in the types of conducted ensembles in which they may seek future employment.

Students engage in regular chamber music rehearsals and work towards live performances of the highest standard, learning from their peers as well as expert practitioners. Chamber music repertoire is studied with either a new ensemble or a continuing ensemble. Students are assigned a Principal Tutor who will assist with the selection of appropriate works and coach the group throughout the semester. Musical, technical and communication skills are developed intensively.

Chamber music and chamber music skills are studied through the focused engagement with specific repertoire selected by relevant groups of musicians performing without a conductor. Students are assigned a Principal Tutor who will advise of appropriate works and coach the group throughout the semester.

This unit is designed to develop skills in music information literacy including the finding, surveying and utilising of published information on music; academic writing and referencing; and critical thinking. The course will include discussion of different approaches to preparation of program notes and pre-concert talks, liner notes for recordings, and concert reviews. Students will design and research an individual musical topic which will form the basis for their written and spoken assignments. The seminars culminate with a series of student presentations on these topics. Students may choose to prepare a research proposal if planning to enrol in Dissertation 1. Students may be referred to other University services for further development of writing and other skills. Such courses would be in addition to this Unit of Study.

Development of performance related skills including repertoire choice and program building, instrumental technical skills to support nuanced musical communication, collaborative skills, concert presentation and the ability to articulate musical ideas both verbally and for program notes to add to performance presentation.

Continued development of performance related skills including repertoire choice and program building, instrumental technical skills to support nuanced musical communication, collaborative skills, concert presentation and the ability to articulate musical ideas both verbally and for program notes to add to performance presentation.

Application of performance and related skills to the preparation of a public recital.

This unit provides a practical overview of the sound recording process. Aspects of creative production are examined alongside project planning, management and the professional delivery of master recordings to professional standards. Students will gain insight into the recording process through practical recording projects taking advantage of the concert venues and studios and will integrate into the existing musical activities that occur at the Conservatorium

The Graduate Composer Performer Workshop provides both composers and performers with the opportunity to work together in the performance and development of new and experimental works each semester.

Vocal ensembles and choirs have become an important part of Australian musical fabric, from community-based groups through to professional a cappella ensembles. This seminar aims to provide necessary skills and experiences in composing for groups of voices in an experiential learning environment. Students workshop their compositions in class, gain experience in text-setting, experiment in extended techniques. Classes focus on the literary nature of the form and analyse relevant historical examples and techniques from a diverse range of styles. Students will be able to take these skills developed in this course into future professional situations as both composers and performers.

This course examines historical performing practices up to the present day aiming to widen understanding of the extent to which musical notation and written evidence preserve the performing practices of past eras. The wealth of sound recordings from the turn of the twentieth century provides a window into the near past. Issues to explore include: sound production (vibrato, non-vibrato and portamento in the case of string and wind playing and singing), expressive keyboard techniques (manual asynchrony and arpeggiation), and more general issues such as tempo rubato, tempo modification, ornamentation, articulation, and phrasing. The course will introduce students to varying performance styles, some of which are no longer generally in fashion, increasing the palette of musical choices and solutions and increasing the dimensions of understanding of specific repertoire.

This Unit of Study offers students a scaffolded experience that will help them to develop research skills and ability to embed, articulate and demonstrate research through and in the form of a research performance or composition. This would normally be composition or performance-based research output related to the student's overarching research topic. Following the project's development through the semester, the student will present the work undertaken in an appropriate format at the end of semester for formative feedback. Students will attend the weekly multidisciplinary Creative Work Seminar which will provide regular opportunities to present creative work research and to explore and hone presentation skills.

This Unit of Study offers students a scaffolded experience that will help them to develop research skills and ability to embed, articulate and demonstrate research through and in the form of a research performance or composition. This would normally be composition or performance-based research output related to the student's overarching research topic. Following the project's development through the semester, the student will present the work undertaken in an appropriate format at the end of semester for formative feedback. Students will attend the weekly multidisciplinary Creative Work Seminar which will provide regular opportunities to present creative work research and to explore and hone presentation skills.

This unit explores some of the most important theories on music and culture. It will introduce students to scholarly discourses and critical thinking potentially relevant to their own research. It will address questions such as what are we doing when we analyse music; how does our view of history shape our hearing and understanding; does music articulate collective human experience; etc. Topics covered include historiography, memory, musical analysis, semiotics, narrative theory, gender and sexuality, national identity, genre theory and hermeneutics.

As an analytical method, ethnography concentrates on the experience of life as it is lived. Following the development of the fieldwork-based discipline of ethnomusicology, ethnographic approaches to music have come to examine: historical and archival data, objects and artefacts in collections, cyber networks, digital communications, and medical and therapeutic understandings of sound, among other aspects of everyday life. This unit of study engages ethnographic methodologies to examine the myriad ways music informs and enriches people's lives and contributes to defining how humans flourish in their natural, social and cultural environments.

Opera has a unique capacity to capture the imagination by grappling with enduring cultural and social concerns. This graduate seminar examines opera's engagement with themes including politics, history, myth, sexuality, national identity, popular culture, film, otherness, social class and power, religion, and the supernatural. Selected operas engaging with these themes will form the basis of each weekly session. Students can then choose to focus on a selected area, or choose to offer a broader perspective for assessment.

Empirical research in music performance employs a variety of innovative methods to investigate music teaching, performing and perception. Knowledge of current areas of research and the techniques used to investigate them is relevant to all music researchers. This unit of study will focus on recent social science methods to investigate music practice with an emphasis on musically and pedagogically driven research. Students will be introduced to different types of experimental study designs, methods of data capture, perceptual and acoustic techniques and acquire new skills and knowledge to approach interdisciplinary studies in music performance.

This unit of study aims to provide students with an overview of the intellectual and methodological trends underpinning artistic research in music - a field composed of both practice-based and practice-led research projects. Participating in this course will enable students to participate productively in artistic research by increasing their familiarity with current debates surrounding research integrity, the strengths and weaknesses of various methodological approaches and the narrative strategies artists employ in order to demonstrate research significance to a spectrum of stakeholders.

This unit is designed to introduce students to the current state of music analysis, and to enable them to develop expertise in analytical methodologies relevant to their research interests. A range of analytical approaches to Western Art Music 1700-1945 will be explored in the seminars, including Formenlehre theories and their recent offshoot, 'deformation' theory; nineteenth-century chromatic harmony and Neo-Riemannian approaches; set-theoretical analyses of post-tonal music; and semiotic or narrative approaches which relate analysis to humanistic inquiries. The focus of the unit will be balanced between theoretical exposition of the principles involved, and practical applications of the various methods to relevant repertoire.

In this unit of study students learn how to record, archive and repatriate audio-visual recordings used in the humanities. Students learn how to achieve long-term discoverability, access and usage for recordings; and consider issues involved in repatriating recordings to their communities of origin. Students will learn to identify the various types of ownership and copyright that exist in recordings and how to work responsibly with stakeholders and archival institutions.

This unit of study provides practical training in conceptualizing and undertaking a collaborative ethnographic research project. Students will consider the features of ethnographic collaboration within particular disciplines, and the many different ways in which the researcher's cultural competency must be strengthened and interrogated for collaboration to proceed. In particular, students will explore and reflect upon ethnographic research collaborations undertaken together with individuals who are "insiders" in the research community. Students will gain an understanding of how collaboration impacts upon research ethics, plans and goals, projects and processes, and outcomes and dissemination through being supported to plan, undertake and reflect upon their own small collaborative research activity, thereby further enhancing their understanding of the benefits of collaborative ethnography for both communities and researchers.

This course is designed to prepare students for undertaking their own research projects in music. It will introduce and develop students' awareness of recent musical scholarship and research methodologies and equip students with skills to design and conduct research across a wide variety of musical topics. Students will begin exploration of the topic area that is the intended focus for their research during their degree. Students will situate their performance/composition research in the current field and present their research proposals to students and staff for discussion.

The postgraduate Arts and Creative Industries Placment allows students to undertake a professional practice internship placement (including regional conservatoriums) within a music focused creative industry context. Students preparing for a career in composition, performance, arts administration, music education, historical studies etc. are afforded the opportunity to apply their advanced musical knowledge to the broader creative industries music community. They will undertake a specially designed internship placement (designed by themselves or the host) in an arts based organisation and/or 'buddy' Pulley program in one or more of the seventeen NSW regional Conservatoriums with the purpose of extending their current professional practice. The goal of the unit is for students to extend their knowledge of the arts and creative industries sector combined with a knowledge and understanding of WiL through the internship placement. Students will extend their collaborative skills and techniques for working in a teamwork setting using knowledge and skills learnt as graduates.

This unit is designed for professional conductors, postgraduate conducting majors and other postgraduates with conducting experience, and undergraduates who have successfully completed the undergraduate sequence. Topics will include expressive gesture, advanced conducting technique, body awareness and movement; advanced score study, analytical and aural skills, wind band repertoire; rehearsal techniques and strategies; wind band history and current topics of interest for conductors/musicians.

The postgraduate Arts and Creative Industries Placment allows students to undertake a professional practice internship placement (including regional conservatoriums) within a music focused creative industry context. Students preparing for a career in composition, performance, arts administration, music education, historical studies etc. are afforded the opportunity to apply their advanced musical knowledge to the broader creative industries music community. They will undertake a specially designed internship placement (designed by themselves or the host) in an arts based organisation and/or 'buddy' Pulley program in one or more of the seventeen NSW regional Conservatoriums with the purpose of extending their current professional practice. The goal of the unit is for students to extend their knowledge of the arts and creative industries sector combined with a knowledge and understanding of WiL through the internship placement. Students will extend their collaborative skills and techniques for working in a teamwork setting using knowledge and skills learnt as graduates.

This is a special purpose elective.

This is a special purpose elective.

The unit of study provides a grounding and background in history, analysis and technical skills in coducting. It provides the essential building blocks for the study and technical development of conducting and will help set a student on a path of enquiry that can continue and further develop according to the student's own aspirations.

This is a special purpose elective. Note that some research areas may have particular requirements or recommendations for choice of seminars.

This is a special purpose elective.

The unit promotes dialogue across teaching specialisations and focuses on three broad areas related to studio pedagogy. First, aspects of educational psychology, such as the cognition, motivation, and self-regulation will be examined within a developmental context. Second, the psychology of music learning and teaching will be applied to the development of musical performance and perceptual skills. Third, research on effective teaching within and beyond the music studio will be addressed, including aspects of cultural context, curriculum, and assessment. A critical engagement in a range of research literature and scholarly writing skills are developed throughout the unit of study. Online reading and research tasks through the LMS will be a part of this unit in preparation for students' creating an electronic portfolio development which may include enhancing an existing website. A practical implementation of pedagogical principles is practised through peer-teaching. Expert studio pedagogues from a variety of instrumental disciplines share their principles and practices in seminar classes.