This unit aims to explore the scientific concepts of architectural science (including heat, light and sound) from which foundational principles and methods applicable to buildings are developed. It is divided into different topics, including climate, thermal environment, lighting, and acoustics. Students will gain an understanding of the terminology, physical values and metrics in each of these topics, and how they apply to the design and function of buildings. Theoretical models to predict key physical values in buildings are presented and used in assessments. Learning is supported by hands-on measurement exercises. This unit has a focused pedagogy intended for all graduate students in Architectural Science. It is a common core unit for all of the programs (Audio and Acoustics, High Performance Buildings, Illumination Design and Sustainable Design). Students within these programs should undertake this unit in their first semester of study if possible.

This unit examines tools, techniques, processes and value systems involved in audio production. Proficiency in sound recording techniques, including field and studio recordings, is developed, including technical acoustic, audio and aesthetic considerations. Students extend their understanding and experience of production principles by which sound recordings are used for building up realistic and hyper-realistic auditory scenes. Perspectives on audio production come from aesthetics, practice, acoustics theory, audio technology and digital audio systems, but ultimately are founded in the discipline of listening. By bringing these perspectives together, this unit is designed for students with a wide range of production experience at a postgraduate level.
Students are expected to work individually and in groups to produce audio for accompanying screen media, as well as audio works that rely solely on audio to transmit a message. Students are expected to: participate in the workshops; complete class exercises/constructions; read additional materials to discuss in classes; submit a script, composition or otherwise detailed proposal for recording and postproduction with detailed rationale of production values; produce and present a completed audio project, including documentation, evidence of background research, a commentary on the production and production outcomes, track sheets, mixing notes.

The objective of this unit is to provide both a strong theoretical understanding of digital audio and practical experience in applying these principles to digital audio systems. This unit offers a systematic approach to understanding digital audio systems. Beginning with basic principles the unit provides a knowledge base for understanding advanced digital audio components, systems and techniques. Examples of everyday audio signals are used and characterised in terms of their temporal and spectral properties. Practical application is emphasised and is supported through laboratory exercises that include programming as well as the use of current hardware and software packages. Topics include: principles of digital signals and systems, sampling and quantisation, convolution, discrete Fourier transform (DFT), z-transform, transfer functions and impulse responses, finite and infinite impulse responses filtering, audio system design, time-variant systems, audio data compression and real-time audio DSP.
Having successfully completed this unit the student will have the tools to understand what happens to a digital audio signal when a given process is applied to it; how to best apply this process and how to successfully combine digital audio components.

This unit introduces the fundamental concepts and issues of audio and architectural acoustics, with an emphasis on theory. The unit introduces topics such as: basic acoustical concepts, quantities and units; principles of sound radiation and propagation; sound absorption and room acoustics; psychological acoustics; noise measurement and specification; speech intelligibility; and principles and specification of airborne sound insulation. Acoustics theory involves mathematics, and this unit aims to provide knowledge and skills so that such theory can be applied, with the help of spreadsheets and computer programs. Teaching is supported by demonstrations and tutorials. By completing this unit students will be able to understand acoustical terminology, and perform calculations and analysis applicable to sound in the environment, in buildings, and in audio contexts. They will have the ability to critically assess claims of acoustical performance. This unit provides the theoretical foundation for advanced units in audio and acoustics.

This unit will cover a range of theoretical, practical and professional issues in architectural acoustics, including codes and standards pertaining to architectural acoustics; method and integrity of measurement; room acoustical measurement, modelling, simulation and criteria; sound absorption theory, measurement and specification; sound insulation theory, measurement and specification; design of spaces using acoustical criteria; and field assessment of acoustical problems in and around buildings. By the completion of this unit, students will acquire knowledge and experience in areas commonly dealt with by the acoustical consulting profession. They will gain an appreciation of current issues in architectural acoustics, possibly inspiring future research.

Humans' thermal, visual, auditory and olfactory senses determine the perceived quality of a built environment. This unit analyses the built environments in context of these human factors. This unit relates human experience of buildings to the main dimensions of Indoor Environmental Quality (IEQ): thermal, acoustic, lighting and indoor pollution (also known as IAQ). This understanding of human comfort perceptions is contextualised by an understanding of the various approaches to the evaluation of built environmental performance. You will study indoor environment theories and predictive models, post-occupancy evaluation (POE) tools and workplace productivity metrics. Regulations from Australia and abroad will be explored to understand their impact on acoustics, thermal comfort, lighting, indoor air quality and ventilation. The unit also pays attention to IEQ criteria within sustainability rating tools since those protocols drive practitioners’ interest in and engagement with IEQ issues. This unit gives students extensive hands-on experience in laboratory- and/or field-based methods of IEQ research, assessment, and diagnostics. A recurring theme will be instrumental measurements of indoor environments, and how they can be analysed in relation to perceptual and behavioural data collected from occupants of those environments.

Students will learn to make and understand a wide range of acoustical and electroacoustical measurements, assessed through laboratory or field work, and learn major aspects of sound system design, assessed through project work. Students will work in small groups in laboratory or field project work. Audio Systems and Measurement will develop knowledge and practical skills in electroacoustics; and the laboratory and project work will extend thinking and personal skills, so that students can apply the unit content to new situations.
Upon completing Audio Systems and Measurement, students will be expected to understand the signal-processing basis, implementation and limitations of a wide range of audio and acoustical measurement techniques, such as sound pressure, linear time-invariant system response, source directivity, non-linear distortion, time variance, uncertainty in measurement, intelligibility, and audio quality. Students will also be expected to be able to design sound reinforcement systems, and to model audio system performance using various theoretical techniques.

This unit aims to introduce essential concepts in sound design for a range of applications in emerging media technologies such as: interactive systems, video games, immersive video and virtual reality. A grounding will be provided in the theory and criticism of sound design in order to develop an understanding of the potentialities of utilizing audio in synergy with accompanying media. The sound designer's role in the process of creation of meaning will be examined in cultural as well as technical contexts, with the aim of developing and extending production practices towards an articulate and coherent aesthetic. The unit will also look at current computer-based tools and techniques available to the sound designer, as well as examine the various underlying strategies, processes, and sound design philosophies.
Upon completion of this unit students will be expected to: understand the opportunities and challenges of different media and their essential concepts and terminology. Students will also acquaint themselves with the history, theory and criticism of sound design. Students will develop technical and conceptual skills in audio production including: building and programming physical computing audio systems, general miking techniques, producing sound effects, and mixing sound for different media, video game and interactive audio programming and immersive audio production.

This unit introduces students to a broad range of current research in audio and acoustics, and gives them experience in research. It consists of a series of seminars on current research projects presented by active researchers in audio and acoustics, together with individual or small-group supervision of small-scale research projects.
By completing this unit students will gain an understanding of the research process, and receive some modest experience in research. They will appreciate a range of research methods and subject areas at the forefront of audio and acoustics. They will be in a good position to assess their interest in undertaking further academic research.

This unit aims to prepare students for undertaking a research project in the various sub-disciplines of Architectural Science. It begins with the workshop-based discussion about how to identify ‘knowledge gap’ from which an interesting and significant research question can be formulated. It highlights principles of experimental design and methods of data collection and analysis. You will be working closely together with your individual supervisor to fully establish research questions, transform them into testable hypotheses, and develop reliable and valid research methods. Students will be given an opportunity to fully present their research ideas and plans in the form of written research proposal and oral presentation. Prior to the enrolment, students are expected to find and appoint their individual supervisor who’s research interest and expertise are closely aligned with that of the student. This unit in combination with other 12 credit point research unit (either Report or Dissertation) may replace the capstone with the permission of the Program Director.

The report is a substantial piece of research conducted over one semester. It takes the form of a report (between 10,000 and 15,000 words) on an approved subject of your choice. The report is an opportunity to advance your knowledge and skills in a particular area. The objective of the report is to allow you to develop research and analytic skills by undertaking an in-depth study of your own selection. The expected learning outcomes of the report include the ability to think critically about a problem and develop an appropriate research methodology or analytical approach to address it; identify and access appropriate sources of information, research and literature relevant to the issues; undertake relevant primary and secondary research; and present your findings in a way that demonstrates academic and professional competence. A report generally includes a literature review to delineate a problem; a statement of research aims or objectives, as well as research questions; an explanation of research methods; presentation and analysis of data; and discussion of conclusions. Permission to continue the Report may be subject to a satisfactory research proposal being approved by your supervisor by week 3 of semester. Reports are due at the end of the first week of exams for the semester in which you are enrolled. The assessment is based solely on the submission of your report. The report is generally marked by two examiners, neither of whom is your supervisor.

ARCH9045 and ARCH9046 Dissertation 1 and 2 are only available to candidates with permission from an appropriate supervisor. Planning students should take PLAN9010 and PLAN9011 Planning Dissertations 1 and 2. Students enrol either full time over one semester (ARCH9045 and ARCH9046) or part time over two semesters (ARCH9045 then ARCH9046). The units are not assessed separately - a single dissertation is required. The appointment of a supervisor will depend on the topic chosen for the dissertation by the student. Students and their supervisors should complete an Independent Study Approval form and return it to the Student Administration Centre to effect enrolment. The aim of the dissertation is to train the student in how to undertake advanced study. The student should learn how to examine published and unpublished data, survey and experimental results, set objectives, organise a program of work, analyse information, evaluate this in relation to existing knowledge and document the work; and to allow the student to pursue an area of interest in greater depth than is possible in coursework or to investigate an area of interest which is not covered in coursework. The dissertation will normally involve a critical review of published material in a specified subject area, but it may also be an experimental or theoretical investigation, a feasibility study, a case study, a computer program, or other work demonstrating the student's analytical ability. The dissertation should be 15,000 to 25,000 words in length. The dissertation should contain a literature review, a research methodology, analysis of data, a discussion of results and conclusions. The dissertation will be judged on the extent and quality of the student's work, and in particular on how critical, perceptive and constructive the student has been in assessing his or her own work and that of others. Three typed A4 sized copies of the dissertation are required to be presented for examination. These may be in either temporary or permanent binding. If in temporary binding they must be able to withstand ordinary handling and postage. The preferred method is "perfect binding"; spring back, ring back or spiral binding is not permitted. Students are required to submit one copy in permanent binding on acid free paper for the library, including any emendations recommended by the examiners. For more details see the requirements for the PhD thesis in the Postgraduate Research Studies Handbook. Dissertations are due at the end of the first week of exams for the semester in which you are enrolled for Dissertation 2. The assessment is based solely on the submission of your dissertation. The dissertation is generally marked by two examiners.

ARCH9045 and ARCH9046 Dissertation 1 and 2 are only available to candidates with permission from an appropriate supervisor. Planning students should take PLAN9010 and PLAN9011 Planning Dissertations 1 and 2. Students enrol either full time over one semester (ARCH9045 and ARCH9046) or part time over two semesters (ARCH9045 then ARCH9046). The units are not assessed separately - a single dissertation is required. The appointment of a supervisor will depend on the topic chosen for the dissertation by the student. Students and their supervisors should complete an Independent Study Approval form and return it to the Student Administration Centre to effect enrolment. The aim of the dissertation is to train the student in how to undertake advanced study. The student should learn how to examine published and unpublished data, survey and experimental results, set objectives, organise a program of work, analyse information, evaluate this in relation to existing knowledge and document the work; and to allow the student to pursue an area of interest in greater depth than is possible in coursework or to investigate an area of interest which is not covered in coursework. The dissertation will normally involve a critical review of published material in a specified subject area, but it may also be an experimental or theoretical investigation, a feasibility study, a case study, a computer program, or other work demonstrating the student's analytical ability. The dissertation should be 15,000 to 25,000 words in length. The dissertation should contain a literature review, a research methodology, analysis of data, a discussion of results and conclusions. The dissertation will be judged on the extent and quality of the student's work, and in particular on how critical, perceptive and constructive the student has been in assessing his or her own work and that of others. Three typed A4 sized copies of the dissertation are required to be presented for examination. These may be in either temporary or permanent binding. If in temporary binding they must be able to withstand ordinary handling and postage. The preferred method is "perfect binding"; spring back, ring back or spiral binding is not permitted. Students are required to submit one copy in permanent binding on acid free paper for the library, including any emendations recommended by the examiners. For more details see the requirements for the PhD thesis in the Postgraduate Research Studies Handbook. Dissertations are due at the end of the first week of exams for the semester in which you are enrolled for Dissertation 2. The assessment is based solely on the submission of your dissertation. The dissertation is generally marked by two examiners.

This unit of study will engage a studio-based approach to the production of sound art works through the prism of two of its primary means, namely recording and amplification. The emphasis will be on the production of recorded sound works and sound devices that can expand and develop the relationships between the analogue and the digital and between the composed and the open-ended structures of noise as an event. The unit will begin with ideas from sound ecology and music concrete and by way of field recording, sound manipulation and performance heading in an exploratory way towards the limits of sound as noise, situating the spectrum of a material practice with sound in a historical context. This unit will be conducted in an open studio framework within workshops, sound studios and digital labs suitable for candidates working in a broad range of artistic disciplines.
Sound has the potential to invent new sonic landscapes and to demarcate unheard psycho-geographies: from radical approaches towards production to potential new collaborations in the street (or in the landscape), from the technical and the scientific to oral investigations of the social. This open studio investigates sound as a primary vehicle for artistic expression in a work of contemporary art.

In lighting design, the primary function of light is to facilitate visual perception of the illuminated scene. User-centred lighting design requires a thorough understanding of the biological link between light and vision. In this unit, students learn the fundamentals of the human visual system and the physical properties of light that impact perception. Specific topics include an overview of visual anatomy, the behaviour of the photoreceptors, and post-receptoral processing that leads to colour perception. The spectral, spatial, and temporal characteristics of visual processing are also covered. Important visual phenomena, such as chromatic adaptation and contrast sensitivity, are discussed. The link between fundamental knowledge of the human visual system and the practical application of lighting design is emphasised.

Measurements of light based only on physical properties are of limited use to the lighting designer. Instead, the tools to measure and communicate the characteristics of light sources and illumination consider the impact of the physical attributes of light on the human visual system. This unit covers the photometric measures related to the quantity of light and illumination and the colorimetric systems used to characterise the colour of lights and objects. The calculation methods underlying these measures are included, with an emphasis on useful simulation techniques. The derivations, meanings, proper applications, and limitations of these measurements systems are discussed. An overview of physical instruments for photometric and colorimetric measurements is included. Students learn to apply knowledge of photometry and colorimetry to evaluate lighting products.

This unit of study provides an overview of a human-centred approach to the design of products and systems. It introduces students to design thinking and how it can be productively applied to different design situations. The theoretical concepts, methods and tools for the key stages of interaction design are covered including user research, ideation, prototyping and user evaluation. It provides students with the principles, processes and tools for working collaboratively on design projects in studio. Students learn to build empathy with users, identify and reframe the problem space, develop value-driven design concepts and persuasively communicate design proposals with an emphasis on the user experience through visual storytelling. This unit is a foundational core unit in the Master of Interaction Design and Electronic Arts program.

This unit provides an introduction to the development of software in design and the creative industries. It teaches an understanding of the fundamentals of computational thinking, as well as skills in the design and implementation of software for creative expression. It introduces students to tools for building interactive design prototypes that express their interaction design skills through programming. It covers knowledge of programming concepts; creative coding practices; and Javascript and the p5.js library. Key concepts covered in this unit include: variables, functions, control flows, and algorithmic thinking. Students learn how to approach creative expression through the medium of code, which will allow them to incorporate programming into their own design practice as well as to collaborate effectively with software developers. This unit is a foundational core unit in the Master of Interaction Design and Electronic Arts program.

This unit introduces students to the fundamentals of user interface design. Interface design is an important element of a human-centred design approach to the development of interactive computational systems. Students will learn about industry standard user interface design and usability principles and guidelines, based in visual design theory and visual perception. They will acquire practical knowledge through the application of tools and techniques for designing and evaluating user interfaces for a variety of different platforms. This includes (1) low-fidelity prototyping (hand sketches, wireframes, clickable prototypes); (2) usability testing and heuristics; (3) web and mobile user interfaces and/or emerging technologies. The aim is to develop appreciation of visual design principles and their impact on the user experience of interactive products. The knowledge and skills developed in this unit will equip students with the essential capabilities for working in the interaction design and user experience profession. This unit is a foundational core unit in the Master of Interaction Design and Electronic Arts program.

This unit covers the technologies employed in generating, distributing, and controlling light in illuminated environments. Students learn the advantages and disadvantages of different hardware options for various lighting applications. A brief history of lighting technologies and the physical processes involved with electrically generating light are included in this unit. Practical characteristics of currently popular lamp types, as well as emerging lighting technologies, are presented. The effects of integral luminaires and other light fittings on the resulting illumination are covered, as are the electrical requirements of different lighting technologies. This unit also includes calculation techniques for predicting the illumination in spaces from lighting products. The selection, operation, and implications of lighting control options are discussed. The underlying principles and practical consequences of the different characteristics of various lighting technologies are emphasised to enable students to independently evaluate future innovations in lighting technologies.

Investors associated with the property industry require at the outset Return On Investment (ROI) evaluations before committing capital. This unit of study examines the economic principles as they apply to buildings, from capital growth and life cycle management perspectives. The focus is on economic and financial practices required for high performing building assets, contract procurement strategies, cash flow analysis, return on investment for retro-fitting, and economic appraisals of existing or new building assets. This unit will develop an understanding of carbon accounting in relation to building management and its importance to sustainable built asset portfolios. The unit, taught by case studies, will equip students with an understanding of economic principles and professional tools necessary for the procurement and management of real estate property, facilities and buildings at optimum economic and environmental performance.

Project Management is specific form of establishing, programming, and coordinating an activity having a specific start point and end point. This body of knowledge - as for example in the Project Management Book of Knowledge (PMBOK) - needs to be understood in general terms. Initially project managers must identify and define the services that are needed, (scope) and that their employers are willing to endorse. The activities requiring to be carried out need to be sorted and sequenced; the materials, labour and plant required need to be estimated and procured. Projects involve the management of information, and communications. This unit will develop the student's ability to ascertain and document the scope of a project, schedule a programme, and understand the difficulties in directing it. This unit approaches the profession of Project Management as a cooperative undertaking rather than adversarial: it promotes the adoption of soft-skills rather than that of forceful command and supervision.

This unit reviews the need for and application of Mechanical services in the built environment - in particular commercial buildings. Mechanical services are responsible for significant portion of energy and water consumption in buildings. Thus they have become important components of most modern building complexes, with a strong influence on other services and the architecture. This unit provides an introduction to these services by experienced presenters, including from the industry, for recent graduates or diplomats in mechanical engineering and an understanding of fundamental principles and practice for people from backgrounds other than mechanical engineering. Students will acquire skills in appreciation of impact of mechanical services on the environment, including recent mandatory regulations, together with estimating ventilation, cooling and heating requirements, design of simple ventilation, air conditioning and smoke hazard management systems, combined with an overview of water, refrigerant, ducted systems, with applicable equipment, energy, noise, human comfort, air quality criteria. Principles of heat transfer and fluid flow are applied to applications of mechanical ventilation, air conditioning and smoke hazard magagement, to satisfy regulations and standards, occupant and community expectations. The practical basis of the programme leads to a design assignment involving selecting equipment and systems to provide mechanical services in a building.

The aims of the internship are to provide a direct link between the academic core of the course and the disciplines and methods of practice; to enable candidates to experience aspects of practice and provide the opportunity for them to work in areas of the field outside their specific expertise; to enable candidates to observe, analyse and comment on the interaction between theoretical and practical issues of their Program as it is practiced, and to establish connections between practice and the development of relevant research programs. The internship is intended to provide the opportunity for students to work in various situations in their Program's area. A secondary intention is that students use the opportunities of placement to broaden their own experience beyond the limitations of their chosen discipline. Candidates must find a suitable professional placement. Permission to enrol is given after the proposed placement has been approved by the Program Director. The host organisation will nominate a supervisor for the student for the internship. The student must complete at least 120 hours of full or part-time experience, supervised by a practicing designer (or other professional depending upon the field). A log-book of each day's work, signed by the supervisor must be submitted on completion. A 2000-word report on the benefits of the internship must also be produced. At the end of the internship the student will: demonstrate that they have completed a program of work (through a log-book); present a report; analyse their experiences and compare these to the theoretical content of the units they have completed, and suggest appropriate research directions so as to improve the complementarity of theory to practice.