This unit is a compulsory core unit in the Master of Creative Writing. It complements the other core units by focussing on how creative writing connects with major scholarly and critical debates in literary and cultural theory, focussing in particular on writers, like Susan Sontag, whose work is both creative and theoretical. Indicative topics include: theories of authorship; the history of the book; the ethics and politics of writing; aesthetic hierarchy and value; close and distant reading; form, genre and style; writing, sex and embodiment.

This unit is designed to introduce the principles of practice-led research and research-led practice. We will consider what it means to pursue creative writing in an academic environment. It will equip students with the skills necessary to create individual projects and conduct creative research. Seminars will focus on building research skills, formulating individual projects and considering the means and ends of creative research.

This unit explores Sydney as a significant literary city in the context of influential debates on community, cosmopolitanism and the poetics of place. We will read key Sydney texts and explore Sydney's major cultural institutions and events, including the Sydney Writers Festival. Students will produce their own creative project in response to Sydney and its storied locales.

This unit focusses attention on the work of writing from the perspective of writers. What kinds of labour are entailed in literary production and publication? What does it mean to describe oneself, or be described, as a writer? Who does a writer work for and what processes produce the literary work as we encounter it? What about 'writer's block'? We will explore different aspects, contexts and genres of writers at work through a mixture of detailed case studies and representations, always with an eye to relations between particular writers, works and readers.

This unit introduces students to literary movements as a way of thinking about literary texts and their reception in terms of processes broader than any individual author or work. Claims to movement status are inherently polemical. They can emerge from within a community in the form of manifestos and collaborative publications or describe more diffuse networks and alliances. Through case studies we will consider what is at stake in the designation and commodification of literary movements and what benefits or problems flow from such claims.

Research and writing towards a 12-15,000 word dissertation comprising of a larger creative and smaller critical/exegetical component. This is a capstone unit of the Master of Creative Writing degree. Candidates must formulate a topic and consult with the Unit Coordinator in advance of enrollment in order to be assigned appropriate supervision by an academic staff member. Must be followed by enrollment in ENGL6120 Dissertation Part 2: Creative Writing.

Completion and submission of a 12-15,000 word dissertation comprising of a larger creative and smaller critical/exegetical component. This is a capstone unit of the Master of Creative Writing degree. Candidates must have formulated a topic and consulted with the Unit Coordinator in advance of enrollment in the preceding unit, ENGL6119 Dissertation Part 1: Creative Writing, in order to have been assigned appropriate supervision by an academic staff member.

This unit will enable approved candidates to pursue an extended creative project under the supervision of an established author, poet, script- or children's-writer. Students will be expected to discuss and plan the project with their supervisor, then submit drafted material to an agreed timetable, and to discuss this drafted material with their supervisor before submitting a revised final draft.

This unit introduces students to the practice, craft skills and critical reflection involved in writing fiction (particularly the short story form). Narrative writing skills will be explored and developed through close readings of a range of short fiction, as well as in-class and at-home writing exercises, building towards more sustained pieces of work. Writing and critical skills are developed through discussion and participation in the workshop process, focusing on reading and creative strategies to generate new material as well as processes of editing and revision.

This unit of study is a workshop in writing poetry conducted by a distinguished poet. Students are required to produce their own works throughout the unit and these works will provide the basis for constructive discussion aimed at developing different methods of writing.

This unit of study introduces students to the principles and practices of creative non-fiction, also known as literary journalism. This diverse genre includes travel, memoir, biography, essays, historical, medical or investigative narratives. The unit provides a scholarly framework to creative non-fiction and the work of writers such as essayists and literary journalists. In addition to the content provided by the coordinators, three major contemporary non-fiction writers take participants through the process of composition of their recent works.

This unit is designed for students who have already begun the practice of writing poetry, and who wish to work on a large portfolio of poems which has been developed to an advanced stage of composition. In the seminars, students will use this portfolio to refine and develop their writing style and technique in dialogue with the seminar leader.

This unit builds on the introductory creative writing fiction workshop ENGL6901 and assumes that students are familiar with the craft skills, writing practice and critical reflection involved in producing quality fiction. The focus is on developing narrative writing skills toward the production of larger prose forms (a novel or linked stories), through writing exercises, critical reading, the workshop process, and exposure to advanced areas of writing craft. Students also learn to develop a sustainable writing practice, present their project and engage in processes of critiquing, editing and revision.

This is a core unit for the Master of English Studies. Students will familiarise themselves with critical approaches to a range of literary works written throughout the world in the English language, and they will critically examine ways in which theories of globalisation and place have come to inflect paradigms of local and national identity. Students will evaluate contemporary understandings of the meaning and significance of "English" literature in a new global environment.

This unit will focus on the narrative and rhetorical strategies used to depict and engage emotion. It will examine the ways in which feeling is both conceptualised and motivated in literary texts, and relate developments in the fictional understanding of emotion to those in philosophy and the natural sciences. It will ask whether emotion can be historicised; how affective responses are engaged in the service of ethical agendas; to what extent do the feelings produced by fiction elude narrative control.

Critical discussion of Australian poetry has long been preoccupied by the status of its modernism, as a function of wider questions regarding the meaning of Australian modernity. Was modernism only belatedly taken up in the 1970s, or were certain older Australian poets modernist avant la lettre? In this unit students will evaluate a selection of key poems and statements about poetry by Australian writers from 1900 to the present, taking in themes such as: Romantic absence and negativity, the Symbolist inheritance, high and vernacular modernisms, avant gardism and reaction, the Generation of 68, and the fate of postmodernism.

This course develops a critical evaluation of modern drama from its roots in the nineteenth century and its legacy in a selection of contemporary play texts. The course situates developments in dramatic theory and practice alongside dominant social and intellectual trends of the past century (political tyranny/liberation, class structure, women's emancipation, censorship, technological change, the rise of global capital). Students will critically evaluate dramatic texts and performance using a variety of theoretical frameworks.

This unit of study investigates the development and circulation of the novel during the eighteenth century. We will read novels that have since been canonised as well as material normally excluded from the story of the novel's rise, such as whore narratives and the popular genre of it-narratives (stories told from the point-of-view of an object or animal). We will consider this material through a number of theoretical lenses, including those provided by Michael McKeon, Lennard Davis and Catherine Gallagher.

Suburbia is a bad object in Australian literature. Neither city nor bush, suburbs can seem culturally bland zones of consumerist domesticity from which artists and writers want to escape. Yet loathing of suburbia can be mixed with desire. This unit explores various topographies of suburbia in fiction, poetry, non-fiction and film. Why do writers return to suburbia? How do suburbs give shape to settler modernity, or stimulate literary modernism? Is the suburb a national or transnational scene in Australian writing?

In addition to writing distinctive short stories and novels, Henry James was a voluminous critic whose writings on the art of fiction have shaped modern approaches to the novel. In this unit, we read selections from James's critical writings alongside his novels and tales to compare the author's evolving theory of fiction with his practice of it. Matters of special interest include Anglo-American literary culture; strategies of characterization and narration; experiments in literary style; the purpose of fiction; and the ethics of representation.

This elective is designed for International postgraduates who are new to study in an English language university. It supports the development of study, research, and critical thinking abilities, spoken English and academic language. Knowledge acquired in this unit will strengthen written and spoken English to help meet the standards necessary for successful completion of FASS Masters by coursework degrees. It is recommended that this elective be taken during the first semester.

This elective supports development of skills in critical analysis, writing in different genres, research, presentation, and developing individual scholarly 'voice'. While valuable for all commencing postgraduates, it is of particular benefit to those returning to academia after an extended break, or for International students wishing to orient themselves to local standards of practice for academic communication. This unit is structured to have additional seminars and lectures early in the semester and fewer later in the semester so students have the opportunity to apply new skills to all their coursework. The unit is ideally taken in the first semester of study.

This unit introduces theories of professional writing with a specific focus on composing in the workplace. Students will develop abilities in analysing, writing, revising, and delivering workplace texts, both print and multimedia. By examining and discussing a range of actual workplace documents, from emails to websites, students will gain a broader understanding of the rhetorical principles and ethical responsibilities inherent in professional writing practice. They will improve their ability to negotiate the relationships, tensions, and politics that influence workplace writing contexts.

This unit introduces practical techniques for editing workplace documents for increased clarity and effectiveness. Applying theories and principles of visual rhetoric, students will learn how to improve the readability and reception of workplace texts according to audience conventions and expectations. By analysing actual workplace documents, students will develop their critical reading abilities and gain a better understanding of how to edit texts for word economy, improved design and layout, and inclusive language. Editing print texts for digital or oral presentation will also be emphasised.